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Munatix Share Click image to listen Munatix, a Belgian electronic synthpop band, initiated by Ricky and Josh. Both located in Genk, having met in a former band, they noticed a shared passion for music. Ricky °1980, takes up the role of lead singer. Josh °1975, focusses on composing and producing. Inspiration is coming from electronic instruments and an interest for vintage analog gear. Josh is being sparked by synth guru’s and bands as Vince Clarke, Jean Michel Jarre, Chromeo. Ricky is at heart a gifted guitar player with a love for Jimi Hendrix. Together they color their music. For now, the emphasis is on writing music. Next phase will be setting up a live act and gig live. WEBSITE

Stevie Gox Share Click image to listen I’m a musician based in Ireland. Very passionate about Rock and Blues and some of my biggest influences are the likes of Mark Knopfler, Eric Clapton, B.B. King and Joe Bonamassa. I come from musical family, my father was a working musician, he was a guitar player, however I didn’t immediately follow in his footsteps, I got into computers and made a career as a Software Architect. It was years later that I bought a guitar again and started going back to music. Shortly after that I started writing songs as well.

FEATURED PLAYLIST No events at the moment Bad Haz Techno Review 006 - Harðr - Peter Harich 211 0 comments 0 12 likes. Post not marked as liked 12 Lets Get The Word Out About Lets Prepare For Survival By People Of The Parallel 58 0 comments 0 12 likes. Post not marked as liked 12 Lets Get The Word Out about Werk by Charley Young and People Of The Parallel 52 0 comments 0 9 likes. Post not marked as liked 9 JOIN THE MAILING LIST AND STAY TUNED! SEND Thanks for submitting!

Whitemyer Share Click image to listen Whitemyer has worked with Grammy Award winning producer Dave Carlock (Pink, Eric Clapton, Blink 182) and had success with the band Cycle. Doing shows with Harvey Danger, American Hifi, Bowling for Soup, Angie Aparo, Custom, Sponge, Darren Mccarty’s Grinder Flicker Stick and Pop Evil. Whitemyer’s song “She Gives” was featured on WGRD’s Bootleg 2K2 CD alongside The Verve Pipe, 30 Seconds to Mars, Butch Walker Bowling for Soup and Dishwalla. I try to write and have a lot of color in the material. I like the songs to have their own personalities. Not taking myself too seriously helps. Currently writing and recording new material in 2020. 


King Yela Share Click image to listen Rapper / Songwriter from Zimbabwe. 21 years started rappin 3 years ago.

LuisetozA Share Click image to listen Hey! my name is Luis Eduardo Torres Zamora ("oh" ... one day we didn't have a name for the band and we combined my names and surnames and "LuisetozA" appeared). I am a musician / composer / guitarist / Luthier. You can find here my music and social networks. When I am not making or playing music, I am reading books and participating in congresses and conferences, walking or working as a full-time statistician. Thank you for listening to my music, I hope you enjoy it and share it, please! music is life and it is a gesture of friendship the strongest there is.

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Johanna Saint-Pierre Share Click image to listen Johanna Saint-Pierre is a French singer, pianist, talented songwriter in electro, soul & jazz pop music. She has released 3 electro-pop albums, 2 soul pop EPs and some electro remixes. She collaborates with prestigious DJs and producers between Paris and New York. With the Paris Gospel Choir (Le choeur Gospel de Paris) she accompanied Pharell Williams on a French television set for the song Happy. Johanna previously debuted on stage with the rock group Laplace at a very young age. Together they opened for the Rolling Stones at Olympia as well as the Simple Minds. Johanna performed solo piano voice for her first US tour in 2018 in North Carolina. She gave her first concert in New York in July 2019. Discover her new EP produced by Brian Bacchus (Gregory Porter, Norah Jones) in New-York: Johanna is a sensual woman in a world of her own. Let her bring her sensuous whisper to your own ears as the next moon rises.

< Back People of the Parallel - Artist Exploration Can's Headphones Oct 5, 2020 The first song I fell in love with was 'Eyes and See' and I don't think I'm unlike many there. That was a few months ago when I stumbled across People of the Parallel. Given the opportunity to do a deeper dive is honestly something I'm ecstatic to do, especially since I found songs like 'Ice Box' and 'Killed It'. Going through this catalog there is a lot to learn about Nashville-based EDM artist People of the Parallel . I don't want to start right away with my favorite song because I think ending with it will help to show the growth that this artist has gone through over the years. One of the most interesting things I found out about PotParallel(isn't that fun!) digging around is that he likes to start his creative process with - and get this - his mouth! I was kind of shook when I read that the first time, too, almost think it was sarcasm initially. He elaborates about how he finds his foundation using his mouth to make noises and whatnot than when the structure is there he goes in the box and fills in all the important bits with what you hear now - synths, hits, drums, and most importantly, vocal samples. Knowing that makes listening to songs like 'Its Your Birthday' really fun because I can just imagine a man sitting behind a desk beatboxing to himself in the rhythms and builds I hear now. They work, too! Dubstep and EDM have always been something that might be out of my grasp forever - I went through my electronic phase as a kid. Had the iPod shuffle filled with Skrillex, BOTDF, Teddybear, Nero, you guys know the good stuff. I even did a lot of demos which are probably (shamefully) floating around on the internet somewhere. It's the chaos I think that messes with me a little - I have found ways to adjust to things like Noise-Rock but Dubstep especially never came as anything more than noisy dance music. People of the Parallel didn't lose his drive through that 2012 - 2015 decline in the genre though. If anything, it seems that when singles like 'Rescue Me Rescue You ' and 'Time ' started popping up in 2019 for streaming, PotParallel had a little more to prove than those who were looking to reenter the scene for the hype. 'Rescue Me Rescue You' is a good testament to the People of the Parallel's attempt to stand above the rest of the noise (no pun intended). Most of my nit-picking was at a technical level and even then, it's wasn't super often. Going through People of the Parallel's background it seems like there is a long history of hanging around studios interning or even working behind the board as an independent engineer. The musicality is there, too. That can more than likely be attribute to People Of The Parallel's long exposure to music within the family and on the business side. 'Rescue Me Rescue You' borders between EDM and Pop and that is one of the things I like about it. It's almost like listening to an early 2000's Justin Timberlake song. There is a lot to like in this song - the drive behind the beat. It keeps you moving the entire time, even in the slightest way. I like the way the cadences shift, too. Time changes are important in EDM and lots of people do a great job at butchering them so I'll tip my hat to you. Another song I really liked was 'A Memory of You'. Going into a catalog I'm always looking for versatility - the ability to be versatile is an essential asset to artists. People of the Parallel shift gears in this single to bring you some alternative rock vibes, straying a little away from the pop scene and digging into a little bit of...Latin ? Feels Latin, I have to say. A very chill instrumental track, this opens the room for slow-dancing within the catalog or easy listening for anyone at home or consuming this piece of media. Audio capture is done very well in this piece and the mix is well put together. Everything has its place and....the percussion is compressed I could probably cry. I'm gonna put it all on the line here and say this was done with live instruments and it was done right . I'm going to have to put on more hats to tip here soon. Getting a little more into what brought me to People of the Parallel's playlist all those (3! haha) months ago I present to you 'Ice Box '. As a classical music appreciator/major band nerd/music theory buff I am a sap for unique melodies and key changes. 'Ice Box' is just that. It starts off in the key of G major and goes...well somewhere. I feel like we go down to the relative minor but I can't be super sure nowadays haha. Either way, it does it for me and sits in this really nice place in my stomach. PotParallel does a good job of changing things up in tiny little ways through each little segment of the song, and the transitions are pretty nice. I really bought into the saw synth in the background, too. I think that was very nicely executed and wasn't far from being too grating. At times, it was almost pleasant! So, last but certainly not least, I present to you 'Eyes and See'. I could probably do an entire write-up of why I think that song deserves a very special place in spin charts across the country. However, I am but a man - with a Plan! might I add - and I am here gushing to you here for now. And where to start?! This song is right up there with Imagine Dragons-Esque stadium bangers. The vocals are leaps and bounds past where they have been in previous works. I still get gooseys going through this song occasionally. In terms of being a story, it has all the important parts - the lyrics resonate with the listener and the singability for those who are familiar with the song is off the charts. I'm curious to see what is next after 'Eyes and See' - this song hit so many boxes on my checklist the first time going through I was shocked I hadn't heard this ANYWHERE else until I stumbled upon it one day on Twitter. PotParallel's mixing in this one is off the charts, too. That's where we get our "stadium-anthem-ness"; there are deep and captivating bass hits. The vocals are paired with the perfect effects to give an ethereal and omnipotent feeling. Vocals and percussion in the background keep the listener involved the entire time. This honestly feels like it's one phone call away from being somewhere big. Can's Headphones October 2020 Previous Next